Tag Archives: bob baker

Inspired silliness and spontaneous hilarity all over the Citadel.

1 Reply

Ronnie Burkett’s The Daisy Theatre is in the Club downstairs.

One Man, Two Guvnors is upstairs in the Shoctor.

And in between, Rapid Fire Theatre is at Ziedler Hall with two Theatresports shows every Friday, a Chimprov long-form improv show every Saturday at 10 pm, and next weekend also a public-workshops student show Thursday at 7:30 (I am going to be in this one, probably singing) and a Maestro elimination game Saturday night at 7:30.   Tickets for all Rapid Fire shows are available through EventBrite and at the door.

Ronnie Burkett’s Daisy Theatre  is returning after a long Citadel booking last year.  Some of the same puppet characters are in the show this year, but there are some new ones, and all new stories with the old ones, and apparently different things happen every night.  I saw it once last year and enjoyed it, but I thought this year’s show was even better.   Mrs. Edna Rural is still one of my favourites.  This year’s bits with Schnitzel, the poignant little creature who wishes for wings, were not as disturbing to me as last year’s (which reminded me of Robertson Davies’ World of Wonders), and they were still charming, especially watching Schnitzel climb the curtains.  As last year, Ronnie Burkett includes various audience members or takes amusing liberties with them, and he also makes lots of jokes about local establishments and politics.  I wish I had time to see it again.

One Man, Two Guvnors had its first preview tonight.  It had a long cast list with many familiar names and faces, John Ullyatt, Lisa Norton, Julien Arnold, Jesse Gervais, Cole Humeny, Louise Lambert, Orville Charles Cameron, Mat Busby, Andrew Macdonald-Smith, and all of the Be Arthurs.  Performers I hadn’t seen before were Jill Agopsowicz as the young romantic lead Pauline and Glenn Nelson as Harry Dangle the lawyer (of the firm Dangle, Berry, and Bush).  Bob Baker was the director, and the script was written by Richard Bean based on Carlo Goldoni’s 18th century comedy The Servant of Two Masters.  John Ullyatt is the main character Francis Henshall, the quick-talking easily-confused small-time crook who starts the show so broke that he hasn’t eaten, and desperate for money he hires himself out to two different people, the gangster Roscoe  – who turns out to be Roscoe’s twin sister Rachel in disguise, Lisa Norton –  and the higher-class criminal Stanley Stubbers (Jesse Gervais).  Assorted wacky hijinks ensue, as Francis tries to get some food and then the affections of the accountant Dolly (Louise Lambert), various other romances play out, prison-trained chef Lloyd manages a “pub with food” (apparently a novelty in 1963 Brighton) with the help of servers Alfie (Andrew Macdonald-Smith who should probably have a massage therapist or physiotherapist lined up for the run of the show) and Gareth (Mat Busby), and criminal mastermind Charlie The Duck (Julien Arnold) is involved in some financial negotiations with his solicitor Harry Dangle that I never did quite follow, but it didn’t matter.  There was slapstick, physical comedy, bad puns, lots of asides to the audience, musical interludes by the Be Arthurs playing as The Craze (Ryan Parker, Scott Shpeley, Bob Rasko, Sheldon Elter), and other funny business.  The pace did not drag at all and although it was a fairly long show I wasn’t restless, I was just giggling all the way through.  It was a little tiresome that Pauline’s defining character trait was a cluelessness or stupidity, but there was good contrast with Louise Lambert’s character Dolly, a 1963 model of feminist sass and control of her sexuality reminiscent of Joan on Mad Men, and with Lisa Norton’s character Rachel, who disguises herself as her brother and tracks down her missing lover (hence leading to a priceless reunion scene with a glimpse of two characters making out in matching boxer shorts and gartered socks.)  The script also had lots of scope for ridiculousness in male characters, notably Cole Humeny as Alan (Orlando) Dangle, would-be actor in black turtleneck and leather and overdramatic anguish.   This might be the best pure comedy I have seen on the Shoctor stage.  I liked it better than Make Mine Love and possibly better than Spamalot.

 

The Daisy Theatre runs in the Club until November 2nd.  One Man, Two Guvnors runs in the Shoctor until November 16th.  Tickets to both are available through the Citadel website.

Citadel season ends with Make Mine Love

2 Replies

The first thing that made me happy about attending the Citadel Theatre production of Tom Wood’s new comedy Make Mine Love – no wait, the second one, after a visit with my season-ticket companion and a glass of red wine in the lobby – was recognising names in the program.  There were ten actors on stage, and I had seen all of them in other shows.  As well, there were many familiar names credited with performing or working on the video bits, including Patrick Lundeen and Lianna Makuch, Braydon Dowler-Coltman and Andrea Rankin.

And after that?  Well, there was Rebecca Northan.  As far as I’m concerned, Rebecca Northan makes this show.  The plot is fun, the other characters are amusing (especially those played by Mark Meer, Jana O’Connor, and Julien Arnold), the special effects are … I don’t know if they are simple or complicated, but there were several things that are seen in old-time movies but never or rarely seen on stage, except for here.  For example, there was a scene set on a train … and someone clinging to the side of the train and slipping backwards, one window at a time.  With the help of some video clips, there was a car chase scene with gunfire and the car spinning around.  The costumes, sets, and accents built the environments of New York City and Hollywood in 1938.  And the great love story of two movie stars, (John Ullyatt and Rebecca Northan) has some not quite predictable details, most of which were improvements.    But Rebecca Northan was great, and great fun.

Now I will note a few of those details, so don’t read further if you’d like to be surprised.  (I do – which is why I try to go to previews).

It is refreshing indeed to have the powerful demanding leading-lady turn out to be actually competent, not just in acting but in other skills like fixing cars.

The storyline about how she only gets to be friends with him because she thinks he is gay … it was a little weird how the writer had to find expressions for that which sounded period, but also sounded cute and not offensive to modern ears.  I did not entirely buy how quickly she forgave him for the layers of deception, but, hey, whatever.

I liked the subplot about the dancer (Alex McCooeye, who was in Spamalot) teaching the starlet (Lisa Norton, who was in Penelopiad) how to tell a story in her singing.  It was believable and satisfying.

And I liked the tiny romantic bit with a same sex couple (Sarah Machin Gale and Jana O’Connor) which was not played for laughs.  After spending most of my vacation budget on Broadway shows, I noticed that there seemed to be a lot more queer and genderqueer men in the shows I was watching, than there were women of non-standard sexuality or gender expression.  So it was nice to come home and see two women together on stage at the Citadel.

Make Mine Love continues until June 1st at the Shoctor Theatre (the big auditorium at the Citadel).  It’s not great theatre but it’s good fun, and especially enjoyable if, like me, you like watching Rebecca Northan.