The venue lottery for next year’s Edmonton Fringe shows has already been held, with the winners listed here, and other companies are setting up their BYOV (Bring Your Own Venue) arrangements before the BYOV entry deadline in February. Wondering about what shows various companies are putting together for next summer reminded me that I never did finish posting about the shows I saw at Fringe 2013. I guess I’m still prioritising seeing more theatre over writing up what I’ve seen. But since everything is dark from Christmas to Epiphany (except Cats at Festival Place, and it sold out before I noticed) I have a chance to get caught up.
Poe and Mathews – brilliant creepy character portrayals by Brian Kuwabara and Emily Windler, ridiculous desert-island premise, fun.
Kilt Pins – this was a sweet sad unsurprising story about teenagers at a Catholic school in Ontario, with friendship and sex and family problems. It was a contemporary setting, so I was a little disappointed to see the more-traditional story trope of “he (Morgan Grau) pushes her to have sex, she (Sarah Culkin) gives in to get affection and regrets it”.
Kayak – I don’t know why I didn’t find this one more compelling, because the concept was interesting – a woman (Christie Mawer) struggles to relate to her grown son (Justin Kautz) and his new partner the eco-activist (Emily McCourt).
Bombitty of Errors – a rap version of Comedy of Errors directed by Dave Horak. Having read the script and seen a serious production of the play a few weeks earlier in Saskatoon, I was greatly amused to see how closely the four actors in the rap version could stick to the plot details and in some cases the actual Shakespearean lines, and still be coherent, credible, and very funny. There was also a bit where they did some freestyle / spontaneous rhyming about audience members, which I enjoyed in part because some of it was directed at me. The four actors were the two Antipholuses and the two Dromios, but they also played Adriana, Luciana, and any other characters needed – and it worked.
Hot Thespian Action – This sketch comedy troupe from Winnipeg (Shannon Guile, Jacqueline Loewen, Garth Merkeley, Ryan Miller, Jane Testar) made me really happy. I can’t put my finger on why I liked their material and attitude so much. Their timing was good and nothing was dragged out. Their jokes didn’t feel mean-spirited or excluding, and I would not hesitate to recommend them to my progressive friends. But that might make them sound boring, and they really weren’t. Rutherford School isn’t the best venue, with several rows of seats on a flat gym floor making it a bit hard to see from the back especially the title cards that they used to introduce each sketch.
In the holdovers at the Westbury Theatre, I also saw three shows.
Weaksauce – this was a one-person storytelling show by Sam S Mullins about a first job working at a hockey camp, and the ups and downs of a first romance. It was good but not great.
Jake’s Gift – this one-person show by Julia Mackey was an original fictional story of a Canadian veteran of World War II attending a reunion in Normandy, and meeting an inquisitive little local girl on the beach. The performer’s body language and voice made charming convincing shifts to portray the little French girl, the old Canadian man, and the girl’s very proper grandmother. The show was very well received, particularly by audience members with old enough memories to find it evocative.
Port Authority – In this story set in present-day Dublin, each of three characters told a story about a current struggle in his life. Isaac Andrew was a young man clumsily trying to impress a female flatmate. Cody Porter was a middle-aged man who took too long to realize that his career ambitions weren’t quite working out. And Keiran O’Callahan was an older man who gets a mysterious package. They all flailed unhappily, and I felt for all of them.
So that was it for From Fringe With Love. Next up, Fringed and Confused.