Tag Archives: jeff halaby

Forest of Truth and Bathsheba …

Putting all the show titles in the post title makes weird mashups. Especially these two, which some from very different shared mythology cultural referents.

Forest of Truth involves the same people who brought the inspired weirdness of i’m lovin it to Fringe a few years ago, Theatre Gumbo of Japan. It’s set in a fairytale milieu with some familiar tropes, and references to characters like Cinderella, Sleeping Beauty, and Snow White. There’s a problem to solve – the Queen of the forest needs some True Love Extract to preserve/extend her beauty – and an adorable sidekick. But the unfolding action includes some parts that are very much not for children! I loved it that the plot did not stick with the Man being the romantic pursuer and the Woman wanting marriage for other reasons – the Woman was also checking out (climbing on?) several audience members as potential partners, with clearly physical intent. As in i’m lovin it, there were some visually-delightful bits with props, and a diarrhea joke. Forest of Truth would also have been funny if it were slightly less heteronormative. Venue 28, Roxy Theatre on 124 Street.

Bathsheba and the Books is a straightforwardly ridiculous comedy. I was familiar enough with the source material to find extra humour in the details, but even without, I think Aimée Beaudoin’s sex symbol of the ancient world, as costumed by Trevor Schmidt with exactly the right kind of gown to seem credibly period and suitable enhancement for the character’s … endowments … was just so fun to watch and listen to. She’s obviously in control of her world, a scholar who manages the men of the household after the death of her husband King David. Chris Fassbender and Jeff Halaby are her collaborators and servants, and Jake Tkaczyk is equally larger-than-life as her son, a young King Solomon. Directed by Davina Stewart, the pacing is good, the laughs are frequent, and the canon-consistency is left at “it coulda been”. Lots of dramatic-irony asides which are funny if you have some ideas how the Bible is treated in 21st century cultures and religions. I have to admit that I was a tiny bit distracted by the costume practicalities of how they got sparkly gold Birkenstock-type footwear. Venue 1, Westbury.

Christmas pleasures

It’s almost Epiphany, time for me to throw out the leftover turkey, finish the chocolate and mince tarts, unplug the tree, and get back to rehearsing and watching theatre.

But first, I want to tell you about two Christmas-ish theatre productions.  This year I didn’t see Christmas Carol, Best Little Newfoundland Christmas Pageant, or Nutcracker Suite.  You probably already know what they’re like, though.

The panto is a Christmas tradition in England and other parts of the UK, and Capitol Theatre at Fort Edmonton Park has been presenting a pantomime around Christmas for five years now.  It’s one of the few theatre productions in town that has a performances on Christmas Eve (a matinee) and between Boxing Day and New Year’s Eve, so I always like going to it while the rest of my schedule is on pause.

This year’s production of Red Riding Hood was written and directed by Dana Anderson, and featured Madelaine Knight (as Red), Jeff Halaby (as Red’s mother and grandma as well as some other characters), Aaron Macri (on-stage DJ), Melissa MacPherson in various roles, and Davina Stewart as a wonderful Big Bad Wolf villain.  It was lots of fun, with clever topical humour (the beach-boy from Accidental Beach especially) and enthusiastic audiences.

The other play I saw before Christmas was about Christmas traditions, about an engaged couple first discovering their mismatched preferences and trying to figure out how to be happy and together despite them.  Conni Massing was the writer of Oh! Christmas Tree and Brian Deedrick directed the co-production by Blunt Entertainment and Theatre of the New Heart.  Lora Brovold and Collin Doyle were perfectly cast, she embracing her overbearing Swedish family’s traditions and he preferring to avoid the whole thing.  They alternated scenes in front of a curtain (outdoors, and talking to an unseen clergyman at premarital counselling) with pulling back the curtain to reveal a living room which was decorated differently every time.  (I was impressed with the running crew!)  The ending was happy without being glib, and felt fair to me.