Tag Archives: dave wolkowski

Blue Stockings, by Jessica Swale

Lucy Vogue and Aidan Thomas in Blue Stockings. Photo: Scott Henderson, Henderson Images.

 

Blue Stockings is set at the University of Cambridge, in 1896, and mostly at Girton, a women’s college of the university.  It follows a study group of four young women in their first year at the college, Tess (Lucy Vogue), Carolyn (Monica Lefurgey), Celia (Jocelyn Jay), and Maeve (Maggie Salopek), showing their passion for learning science, their struggles with learning to disagree with sources and defend their ideas, and their commitment to future careers in teaching, research, and medicine.  The play also shows how they are treated by faculty male and female, by their male peers, and by College staff including a chaperone (Julie Sinclair) and a maid willing to circumvent the chaperone (Rebecca Collins).

I was pleased to see the way the script touched on many issues of women’s education which were not black-and-white.  The male faculty’s attitudes ranged from enthusiastically supportive (Dave Wolkowski as physics lecturer) to pseudoscientifically condescending (Martin Stout as renowned psychiatrist).  The head of the women’s college (Elizabeth Marsh) is single-minded in her attempts to gain degree-seeking status for the young women through the university Senate and vote of members.  This cause drives her to disavow any connection with the too-radical suffragist cause and to expel a student who is needed at home because letting her stay might be used as a demonstration that women’s education hurts families.  The students also sometimes find themselves torn between their passion for study and the temptations of romance, with significant consequences.

Director Laura Ly used a cast of 19 to portray the 25 characters, and set designer Alan Westen used rotating backdrops and moving furniture to present various university settings.

If, like myself, you learned about the history of women’s university education in England through Dorothy Sayers’ wonderful 1935 novel Gaudy Night, you may be unsurprised by the women’s constant need to justify their presence, but surprised by some of the history.  Gaudy Night is set at Oxford rather than Cambridge, which explains the main difference.

Blue Stockings plays at the Walterdale Theatre until Saturday April 14th, including a matinee today.  Advance tickets are at Tix on the Square and same-day tickets are at the door.

Letters from (and to) A Doll’s House

torvald nora

Tim Marriott, as Torvald, and Nicole English, as Nora, in A Doll’s House. Photo Kristen Finlay.

Dear Captain Awkward:

I’m worried about my old friend. I just moved to her city, and we’ve been spending time together for the first time since she got married.  Captain, I think she’s married to a Darth Vader Boyfriend.  She pretends to follow his order not to eat macaroons, but sneaks them behind his back.  When I offered to help her with some mending, she pushed me into the kitchen with the help, saying “Torvald can’t stand to see anyone sewing”.  And he totally mansplained me the other day about how knitting was an ugly low-class pastime and advised me how to do embroidery instead.  She goes along with his whims to a ridiculous extent and she thinks he’s wonderful.  Captain, what can I do?

  • (pronouns she/her). 

Dear Ask a Manager:

I don’t have good references because I made some mistakes in my past.  No charges were laid, but I was stuck using some sketchy schemes to make money for a while, until I got this entry-level job at the bank.  Now I’m keeping my record clean and looking forward to promotion.  When I found out one of my old school friends was hired as the new vice-president, I was sure this would be an advantage for me.  So I started dropping in at his office and reminiscing loudly about the things we got up to at school.  And now he says I’m being too familiar and he’s given me a written warning and a pink slip!  However, I’ve got something on his wife (see above, sketchy schemes), so I was thinking that I should just blackmail them into letting me keep my job and move up at the bank.  Nothing can go wrong with this, right?

NK


Dear Miss Manners:

As I am in chronic pain due to congenital syphilis (which my nanny told me was my father’s fault), I would like to die with dignity while I have some agency.  I don’t think my friends could handle seeing me in rough shape, so I’d like to tell them to stay away.  What’s the approved way of notifying them using visiting cards? 

Doc


From Dan Savage, Savage Love, confidential to NoNoNora:  DTMFA.

2022 update: The Savage Love archives have now moved here and do not appear to have a search function.  Dan Savage’s frequent terse advice to people in bad relationships is defined in this Wikipedia entry.


The conflicts and choices portrayed in Henrik Ibsen’s A Doll’s House, first produced in 1879, are disturbingly timely in 2017.   Alex Hawkins directed the current Walterdale Theatre Associates production to show the complexity of all the characters and the ways class and gender affect their choices. Nicole English (last seen as Mrs. Lovett in ELOPE’s Sweeney Todd) is troubling and inspiring as Nora, and the rest of the cast is strong as well (Tim Marriott as Torvald, Dave Wolkowski as Krogstad, Marsha Amanova as Christine, dale Wilson as Dr. Rank, and Leslie Caffaro as Anne Marie).   The designers worked with the restrained palette of 1879 Norway to create an atmosphere embodying both oppression and beauty, with set by Joan Heys Hawkins, costumes by Geri Dittrich, lighting by Richard Hatfield and Rebecca Cave, sound by Kiidra Duhault, and props by Alayna Hunchak.

A Doll’s House continues at the Walterdale Theatre until Saturday October 21st, 8 pm Tuesday-Saturday and 2 pm Sunday.  Same-day tickets are available at the door and advance tickets are through Tix on the Square.

Rock Paper Dice Enter – the movie

I’m reporting on some not-quite-so-ephemeral entertainment this week, with the web tv series Lizard at Home the other day and now a cinematic-release feature movie.

I’m not sure why I hadn’t heard of Rock Paper Dice Enter before today – probably I wasn’t paying attention.  A friend mentioned that he’d been to the Canadian premiere last night because he’d participated in the crowdfunding initiative, and that it had lots of local content.  It sounded interesting so I went today.

The story was a bit confusing.  Some of it ends up explained satisfyingly at the end, but I felt like maybe there was more I was supposed to figure out and didn’t.  Not just plot threads but some of the philosophical theme points.  (People complain about everything being obvious and overdone in typical Hollywood movies, but I was left wishing this one was a little bit more obvious.)   Some criminals (or are they?) are threatening (or negotiating with?) a crisis-management team of city officials.  The criminals don’t all have the same motives and information.  One of the strengths of the script, direction, and acting is that the crowd of eleven city officials was quickly shown to have several credibly distinct characters, including many who were female and/or non-white.

The local content included lots of Edmonton skylines and streetscapes and LRT station chase scenes, as well as a few other locales that I thought I should be able to place and wasn’t, quite.  I enjoyed recognising some of the views, especially since they were filmed in a way that didn’t draw attention to the details, with Blade-Runner-ish lighting – not like the hyper-detailed views of Toronto streetcars on TV shows like Being Erica and Flashpoint.

The filmmakers are Kash Gauni, who wrote the original story and who plays Roman in the film, and director Shreela Chakrabartty.   Other actors include Richard Lee (U of A acting graduate who has a strong presence in the Alberta dance community, and whom I think I first saw on stage singing in Joel Crichton’s song cycle Twenty-Five at Fringe 2011), Alyson Dicey and Chris W Cook (both frequent performers in local professional theatre), Dave Wolkowski who I saw recently on stage at the Walterdale Theatre in Starless, and a Ben Sures (who may or may not be Ben Sures the folk musician).  I did not recognise any of the other actors’ names.  I thought Richard Lee’s portrayal was one of the more interesting, along with Ojas Joshi’s computer analyst Kamran.  Georgette Starko’s public official Kim Puzzo had a distractingly flat affect and monotone voice, without enough on-screen character development to explain that.

Rock Paper Dice Enter is playing at the Landmark Cinemas 10 Clareview Edmonton until Thursday June 12th.    Their address is not on their website and Google maps is no help until you figure out that the cinema was an Empire property until recently.  It’s also playing on one screen in Calgary and one in Toronto, and it opened across India in February.

As a casual filmgoer rather than a skilled observer, I thought the production values were fine, and I liked the music.  The pace was fast enough for the genre.  The movie was quite short (about 80 minutes).   I wondered if a slightly longer version would have given me more satisfying explanations and explored the characters a bit more.

 

Starless, by Eric Rice

This year’s selection for Walterdale Theatre’s From Cradle to Stage new plays project was one longer work instead of a series of one-acts, Eric Rice’s work Starless.  I saw it tonight, and I found it unexpectedly moving.  So much so that I had trouble articulating questions at the talkback after the show.

That is a compliment.   I guess it’s a compliment to share among the writer, the dramaturge Tracy Carroll, the director Marsha Amanova, and several of the cast members.

Starless is a story about two homeless people, Ralph (Mark Anderako) and Mary (Monica Maddaford), and the people they interact with during one difficult day, a police constable (Dave Wolkowski), a boy (Carter Hockley), a blog reporter (Stephanie O’Neill), an artist/art-vendor (Jim Zalcik), a priest (Zalcik), and a landlord (Wolkowski).  The title refers to an advantage of sleeping outdoors over sleeping under a roof, that outdoors you can see the stars.  Ralph, the main character, seemed both credible and interesting – physically frail, foulmouthed, dirty, cynical, but at the same time having a clear sense of fairness and a tendency to poetic metaphor.  The audience never finds out Ralph’s whole backstory, because he’s not someone who would tell any of the people he encounters that day, and as his love Mary says (approximately – I stopped taking notes), “We don’t tell those stories.  Those were just things that happened.  We just tell the story that ends with living happily ever after.”

The set was simple but evocative of various outdoor locations – a park, a church doorstep, a coffee shop patio, the back of a low-rent apartment building.  Stage lighting is still a mystery to me, so I was astonished to realize at intermission that the floor was actually not green; it was just lit that way during the park scenes.  The music at intermission and after the show (Don Henley’s “Starry Starry Night” and a familiar cover of the Beatles’ “Let It Be”) was just perfect, fitting the story and the mood with emotionally familiar song, and I don’t remember now whether there was pre-show music or not.   I also appreciated the artist’s painting representing a monochrome version of Van Gogh’s Starry Night (“I call it Van Gogh misplaces his palette”), recalling my recent visit to the original work in New York City’s Museum of Modern Art (MoMA).

Maddaford and Hockley also played characters with enough depth to be intriguing and their own personal challenges.   Maddaford played Mary with an appealing serenity and some native shrewdness, and it eventually turned out to be easy to see why she and Ralph were together.  Hockley had great facial expressions when he was listening, very believable for a kid who is accustomed to be on the edges of adult conversations that he might disagree with or worry about.  His speaking was occasionally difficult to follow, although I’m not sure whether he was too fast, too quiet, or just not making his words distinct.

The minor character who most caught my attention was Jim Valcik’s artist, identified in the program as Vendor, a glib and self-absorbed painter who jumps to assure Ralph he can identify with him but doesn’t listen to him.  “Chaos and bars?  Yep, that was our art-student life; it was great!”

Starless is playing at the Walterdale through Saturday night, 8 pm curtain.  Advance tickets  are at Tix on the Square (listed as From Cradle to Stage), and also available at the door.  Thursday is 2-for-1 night.