Quick notes on more Fringe 2022

Epidermis Circus – Ingrid Hansen’s inspired physical theatre is kind of like object puppetry that takes advantage of various body parts that fit in front of a webcam/document camera. But more importantly, it is funny, delightful, and a little bit gross, an hour that flew by. Luther Centre.

Fags in Space – Before the curtain time, we see two characters (played by Sheldon Stockdale and Braden Butler) rushing around their living room getting ready to host a party. As the play starts they are responding to a question from an imaginary guest at their housewarming/Christmas party, “how did you two meet anyway?” The couple’s answers, acting out the key parts of the story along with all the bumps in the road (“that’s when he ghosted me”, “and then you were seeing Devin”, “It took me ages to figure out that you were studying astronomy and not astrology, and by then I had looked up our signs”), take up the rest of the play. Liam Salmon’s script has credible dialogue and enough resolution for a lot of happy sighs in the audience and a few tears. Walterdale Theatre.

Donna Carnivora’s Killer Party – This one also has an intriguing pre-set on stage before the show starts, including party hats in the front row and something else around the auditorium. I wondered what I was getting into. (In a good way). The performer uses a lot of flirtatious audience interaction, an occasional dash of French, a bit of music, and a lot of blood, to deliver a high-energy creepy funny performance. Walterdale Theatre.

Die-Nasty – This Fringe classic very-long-form improv runs each night through the Fringe, with some characters returning from previous years (Kristi Hansen’s Liz Nicholls, Mark Meer’s Fisher T Johnson gonzo journalist) and some of them new delights, especially Jesse Gervais’ Robin, the shirtless rollerskating recorder player. (Robin, like a sign of spring). Varscona Theatre.

I’ll Have Another – Rebecca Bissonette is credited as playwright, director, and a cast member in this three-hander about bridesmaids who don’t know each other, until they’re all stuck in a wine-cellar at a wedding and they start comparing notes about the bride. Ridiculous and satisfying. Sewing Machine Factory, 96 Street and Whyte.

The Heterosexuals – Johnnie Walker (Redheaded Stepchild) lives up to the tease of his Late Night Cabaret rant in a show that’s part satirical subversion and part insightful memoir about separating and integrating the “Johnnie” and “other-Johnnie” parts of himself, other-Johnnie being the grunge-loving heterosexual-passing part that got him through high school. Luther Centre.

Blueberries are Assholes – TJ Dawe’s tightly-connected monologue full of entertaining facts and oddities led to a surprisingly-insightful conclusion or challenge to the audience. Holy Trinity Sanctuary space.

Destination: Vegas – Same team as last year’s Destination Wedding (playwright Trevor Schmidt, cast Kristin Johnston, Michelle Todd, and Cheryl Jameson) but different characters – these ones a mismatched team of grocery-store workers who take a trip to Las Vegas together rather than lose vacation days. Various complications and dangers ensue. And although much of the story is told in retrospective narrative, it’s never entirely clear how it ends up. Westbury.

A Life, With Surprises (and Songs) – This musical memoir by Brian Ault might be flying under your radar, but is worth making time for. It was charming, humble and funny (like the performer), and also included several of Brian’s original songs from different genres. There is one more show, Saturday afternoon. Acacia Hall.

I saw Crack in the Mirror again – because it’s subtle as well as funny. And I’ve been to Late Night Cabaret a couple more times too, because I love the sense of community. And it’s almost time to head to the site again and see a few more shows people are recommending – 1-Man No-Show and Jesus Teaches Us Things, to start with.

White Man on Stage Talking has one more performance, Saturday at 2:45 at Walterdale.

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