Assassins (the Sondheim musical) was the first musical I’ve seen at this year’s Fringe. With a cast of ten and a musical ensemble, it’s well placed in the Westbury. It’s a series of vignettes about everyone who assassinated or tried to assassinate a US president. As I wasn’t familiar with many of the stories and I didn’t get a program until afterwards, I probably missed the ones in the middle – I remembered about John Wilkes Booth (Jacob Holloway), John Hinckley (Maxwell Lebeuf), and Squeaky Fromme (Emma Houghton, with Nancy Macalear as her collaborator Sara Jane Moore), and partway through I started wondering whether I’d missed the part about Lee Harvey Oswald killing President Kennedy – but that was the climax which came near the end, since I guess it’s the most memorable one for a lot of living Americans too. Scott Shpeley, who had been playing with the musical ensemble, also turned out to be Lee Harvey Oswald. Chris W Cook, Jeff Page, Rory Turner, and Billy Brown played other assassins I wasn’t familiar with, and Dan Rowley, and Larissa Pohoreski other characters in the ensemble.
Typhoon Judy was also a performance focused on music, with Christopher Peterson playing an aging Judy Garland, in song, in reminiscence, in flirtation with accompanist (Nick Samoil), and in four fabulous costumes. The portrayal was credible and touching.
MAN UP! was a wonderful dance show with social commentary. It’s being held over at the Westbury next weekend, so you have a couple more chances to see it. Four male performers dance in high heels, powerfully, poetically, and conveying a range of emotions. Some pieces include all four (Gregory P Caswell, Joshua Wolchansky, Jordan Sabo, CJ Rowein) and some have smaller groups or solos. Rowein and Wolchansky’s love duet was particularly moving, as well as Wolchansky’s barefoot solo on the side stage. Monologues and video clips provide context and discussion-starters about the limitations of conventional gender expectations (as well as allowing time for costume changes). I was fascinated to realize afterwards that the performance had been lacking the personal flirtation aspect of burlesque dancing.
Every Fringe I see Rocket Sugar Factory, the improv duo of Jacob Banigan and Jim Libby, because they are so much fun to watch. Along with their local accompanist Jan Randall, they are masters of crafting long-form stories and playing them out with delightful characterizations. This year their show involves creating the pilot episode for a new television show, and the one they created in front of me, Mister Jules Verne, was something I would watch if it existed. I love the way these two switch characters seamlessly, borrowing mannerisms and language habits, and I’m also a fan of Jim Libby’s near-corpsing, letting his delight in the game show through the characters he’s embodying. (One of the 2 For Tea performers, James, does this as well.)
I also made time to see a new comedy, Harold and Vivian Entertain Guests, written by University of Alberta acting student Jessy Ardern. Take the premise of Who’s Afraid of Virginia Woolf – the older couple full of malice entertaining a couple of starry-eyed naive newlyweds, and wield them as weapons in their battles with each other – and make it funny instead of horrible – and that’s the start of Harold and Vivian. David Feehan and Kristen Padayas play the eponymous hosts, and Rebecca Ann Merkley and Eric Smith play Janet and Mike, the young couple who arrive with over-the-top optimism and PDA and gradually crack into full-on hostility as well. Corben Kushneryk (also seen this Fringe in Who am I?…) is credited as director and designer, so he must be responsible for the delightful set conveying the reality of a starkly divided household before the show even starts. I was especially taken with Padayas’s portrayal, the perfect pink bouffant homemaker with twitches of panic and surges of rage. Eric Smith’s brand of pomposity and pratfall may also be seen in Death Comes to Auntie Norma (one more show, Sunday 8 pm).
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